Native Detroiter Ka’ramuu (pronounced kah-rah-moo) earned his reputation as a consistent
creator of independent underground short form cinema before earning top honors at AFI CONSERVATORY. His graduating class was ranked the #1 film school in the world by HOLLYWOOD REPORTER.

At heart, he is a guerrilla filmmaker with roots in NY theatre, evidenced by the dramaturgical core and classic precepts of character and conflict in all of his work. Working under the aegis of Woodie King, Jr, his earlier theatre work is marked by a number of directorial assignments and lead roles in plays that include ‘Malcolm X’ in the 15th anniversary production of Laurence Holder’s WHEN THE CHICKENS CAME HOME TO ROOST, originating the role of ‘TJ‘ in Robert O’Hara’s INSURRECTION and portraying ‘King Akhenaten’ in his own solo drama kA. After completing studies at AFI and upon the encouragement of his mentor Sir Sidney Poitier, he made his critically acclaimed return to the stage in the title role of Shakespeare’s PERICLES followed by the lead role of ‘Elijah McCoy’ in the U.S. premiere of Andrew Moodie’s THE REAL MCCOY, both at The Black Rep in St. Louis. He flows seamlessly between the worlds of theatre and film by maintaining work in both.

Performing at the top of his class while at AFI, he earned numerous distinctions inclusive of the Frances Williams
Artists Grant, Hewlett Packard Scholarship, Daniel J. Petrie Fellowship, Fujifilm Production Grant and Caucus
Foundation Post-Production Grant for his AFI thesis film SALVATION ROAD.

His award-winning work as an actor and/or director has toured internationally in film festivals
including Cannes, Sundance, Hamptons, Tribeca, and LA Film Festival and screened on the CBS,
BET, HBO and CINEMAX networks. He holds his BFA in Literature, Writing and The Arts
from The New School University, MFA in Classical Drama from Sarah Lawrence College and MFA
in Film Directing from AFI Conservatory.

He is also a Lincoln Center Theatre Director’s Lab Alum, New Federal Theatre Artistic Associate,
2nd Stage Theatre Van Lier Directing Fellow and a finalist for the ABC/DGA Directing Fellows Program.

To date, SALVATION ROAD has garnered the DGA Jury Prize, the Caucus Foundation Gold Circle
Award and premiered in the HBO Short Film Showcase at the 2011 American Black Film Festival.
Subsequently, it was acquired by HBO and made it’s television debut on the network in 2012.
It continues to screen on the network and at film festivals internationally. He would
follow SALVATION ROAD with his provocative internet hit, AND THEN… winner of the
SHADOW & ACT filmmakers competition which received it’s bi-coastal simultaneous
premiere screening in NY and LA before
premiering on the INDIEWIRE network in 2013.

Current Work

His current work includes SUITE, a three-part feature film on the lives, loves and music of John Coltrane, Thelonious Monk and Miles Davis, a made-for-cable TV series SOLOMON in collaboration with Academy award nominated writer/director, John Singleton and DIE ENORMOUS, an action drama inspired by Assata Shakur featuring Omari Hardwick.

He is also developing a slate of low budget independent features.

Online media, magazines or periodicals carrying stories on kA’RAMUU include


Most recently, he was honored by the NATIONAL ORGANIZATION OF BLACK DIRECTORS with their EMERGING DIRECTOR OF MOTION PICTURES AWARD in addition to being named amongst the TOP 20 FILMMAKERS OF COLOR by IMDB.com for his independent vision and filmmaking promise.

When not practicing the craft, he keeps himself immersed in the work by teaching as a Lecturer / Professor on the Theatre Arts faculty at HOWARD UNIVERSITY in Washington, DC.

He is an avid practitioner of Vipassana Meditation.


Sundays At Noon (2013)

“Nice try, stranger.”
An absentee father is granted joint custody of his estranged daughter after 12 years apart.

And Then... (2013)

“…a coming-of-womanhood story.”
A woman is confronted with issues surrounding body image, communication and the psychology of sex.

Salvation Road (2010)

“…a twisted son is a wicked karma to contend with.”
Business becomes unusual for an unsuspecting hitman who senses that he’s been witnessed executing his traitorous mentor.

Dear Me (2008)

“…love me in a special way.”
Dear Me is a stylistic melange of live/still photography which tells the story of Axl Ellington, a gifted writer, challenged with a debilitating bout of writers block

K(no)w De:tales (2005)

“no fear, no exposition, no regrets…”
K(no)w De:tales tells the story of an attractive paraplegic woman gambling on a chance at unconventional love when consenting to a blind date with her online suitor, screennamed: Dark Gable.

Love Aquarium (2004)

3 stories.  3 couples. 1 love?
Three couples in three disparate stories deconstruct their myriad ideas and ways of relating in this cinematic meditation on the complex theme of love.






Talent and Literary Agency
Shelsea Jacobs - Talent
Ryan Saul - Literary

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